Friday, 14 November 2008

Jack's Analysis of an Opening Sequence

Analysis of an Opening Sequence: Layer Cake

To start off the sequence, we hear the monologue of a possible character or just simply a narrator who says a statement about when he was a kid, life was much simpler. He then gives his opinion on life all those years ago, in which he says he “but it wasn’t for me”. At this point, we see thieves loading something into the back of a van, with another man pointing a gun at defenceless people. Could our narrator be telling us he deals in a much more complicated and dangerous business?

More hints are next given to us, slight unraveling this enigma. We see a scene of hippies in the 70’s. Our narrator says that “Hashish and LSD arrived on the scene”. This can lead the viewer on to believing that our narrator may possibly be involved in drugs. Then we see a 70’s prison and our narrator gives us a fact. Robbery of £10,000 gets you a 10 year sentence in prison, whereas smuggling £2million pounds worth of drugs only gets you 1 year in jail. It seems that our narrator is wanting to shift from robbing banks to smuggling drugs. Then an incredibly important sentence is said by our narrator; “Drugs changed everything.”This part of the sequence gives the viewer and insight into his lifestyle, although we don’t know who he is just yet. Then we see an incredibly effective scene of a series of counterfeit products on shelves, and our narrator is finally revealed. As he walks past each of the products, they change from drugs and illegal products, to normal items you’d find on a pharmacy shelf. This scene shows his mindset right now and how he used to love being in the drugs trade, but now he wants out.

We finally have proof of this, after he admits he isn’t a gangster, he’s a businessman. We can see this as he dresses smartly and he does not look in anyway like someone who deals with cocaine, which he confirms is what he trades. Then our character walks into a house and introduces his associates. The first character introduced is Clarky, who has a degree in Chemistry; another educated man you wouldn’t associate with drug crime. Then he gives us the stats of what dealing in cocaine can do to you in the modern day. From 10 months in prison in the 70’s to 15 years in prison. He knows times have changed, and makes sure he works to a few golden rules. We see how our narrator works using his cocaine and as other characters are introduced from Amsterdam; we can see this thanks to a subtitle. These people look common, unkempt people, the type you would say was, well a drug dealer. These people are the main enigma of the opening sequence. These people are identified as “loud, attention seeking wannabe gangsters in for the glory.” But why are they in Amsterdam and who exactly are they?

More characters are introduced, dressed in sharp suits, wise people making sure they don’t get caught. After the men all get their pay, they get ready to send the rest to their boss. The money is collected by the boss’ best friend, who says that he’d like to meet the men tomorrow for lunch. This is the main characters chance to get out of the trade. He knows now that’s too risky for him. We get another final glimpse at our main characters cleverness; he owns a share in a successful letting agency. He has his cover, his wealthy lifestyle, and the police don’t have a clue. To end this introduction of the plot, the main actor’s name (Daniel Craig) comes on the screen as he is entering his house, and we see the film’s title.

As the next actors are introduced, we see their characters drive past a golf course and into a regal looking mansion. The décor is clean, royal and exquisite, so it’s easy to expect that it would be expensive to  dine there. We also get some subtitles of crew members which were Casting by…, Costume Design, Music Supervision by…, Music by…, Production Designer and Director of Photography. We are then introduced to the head of the drug group. As he is putting on his serviette to eat, we shift to the enigma of the opening sequence as they look at some drugs on a table. We then have Editor, Screenplay by…, Executive Producer, Produced by and finally, Directed By. To end the sequence we see the head of the group, smoking a cigar. This shows that he is one wealthy man.

Thursday, 13 November 2008

Titles Order

Man On Fire:

¨     Studio Logo (20th Century Fox)

¨     Company Logos (Scott Free & Regency)

¨     Worded Form of Studio & Company Logos

¨     A ‘Tony Scott’ film

¨     Main Actor Name over black background (Denzel Washington)

¨     Fact concerning the plot

¨     Film Title (Man On Fire)

¨     Remaining Main Casts Names (Ft. Dakota Fanning and Rachel Ticotin)

¨     And actor slot (And Mickey Rourke)

¨     Casting by…

¨     Costume Design

¨     Music by…

¨     Associate Producer

¨     Co-Producer

¨     Film Editor

¨     Production Designers

¨     Director of Photography

¨     Executive Producers

¨     Based on the novel by…

¨     Screenplay by…

¨     Produced by…

¨     Directed by Tony Scott

 

Hunger For Murder (Our Movie):

¨     Studio Logo

¨     Company Logo(s)

¨     Worded form of logos

¨     A *insert directors name here* film

¨     Main Actors name

¨     Film Title

¨     Remaining Main Cast

¨     And Actor slot (final actor)

¨     Casting by…

¨     Costume Design

¨     Music by…

¨     Film Editor

¨     Production Designers

¨     Director of Photography

¨     Based on the novel by…

¨     Screenplay by…

¨     Produced by…

¨     Directed by…

Tuesday, 11 November 2008

DanAnalysis

Analysis of Opening Scenes.

 

The 3 different intros we watched were very different. Goodfellas had the established main character explain what was going on through narration, Man on Fire had text and speech to help explain what as going on and even though City of God used narration the opening was a lot different from Goodfellas.

 

The use of non-diagetic & diagetic sound worked very well with Man on Fire as first it was just normal then it quickly built up to create the tension, it was also mixed with ambient sounds such as the crowd sounds and children shouting. It worked very well and we’re thinking of involving the technique in our introduction.

 

When the film started the first thing we the viewers saw was the various company logos involved in the film, then it came up Denzel Washington on a black screen to draw attention to his name, because if someone likes his acting, they might be drawn in more to watch all of the film. The other actors were all introduced over the film, as they’re not as important.                                                

MIND MAP BUT NOT REALLY A MIND MAP (Initial Ideas & Props & Locations list)

Initial Ideas

Title: ‘Hunger For Murder’

Narrative:

Location: Local quiet street and garage/small room.

Characters: Man as kidnapper and a girl to be kidnapped.

Mise En Scene:

Lighting: Dark for in the small room or garage. Low Key Lighting.

Costume: Casual everyday outfit.

Facial Expressions: Girl; Scared, crying. Boy; Angry, Demented, Flustered.

Props: Chair, rope, car, shopping bags, pig heart, knife, frying pan, fake blood, sink, oven.


Sound: Screams, Cars passing by, Suspense music, knife scraping.

Friday, 7 November 2008

Target Audience by Jack

Our film will be aimed at the ages of 15 and above. This rating has been given so we can still attract the older audience but it also widens the range of people in which we can target.

A 15 rating is applicable because our film doesn’t show literal murders or violence; it only hints at it. Also, no scenes of a sexual nature are included. Minor bad language may be needed, and with the theme of a thriller, the 15 rating allows us to explore our genre well, whilst bringing a larger audience than if it was just an 18. Also, the teenage market is where a large amount of profit is made, as the teens constantly want something to do and normally want to see the next latest film, or own the next latest thing. This then brings many customers and therefore, a large amount of profit.

Research has shown that 15 rating films bring the largest market share of all age ratings.  For the past 6 years, there have been more 15 movies made than any other genre, so there is a lot of money to be made in this genre. As out weapons and violence are only suggestive, it fits in with our 15 rating. In 1982, the 15 age rating was introduced; four years of it being released 15’s had already become the most popular produced and watched genre of film. Ever since 1986, it has remained the most popular, that’s 22 years of success, and so by putting our film as a 15, we could make more money, become more recognized and enjoy more success.

OURR IDEAAAA!!

We finally though of a solid idea to do our piece on.
Our idea is to have an opening sequence where a kidnapping takes places.
There will be a narrative voice over the top of the action saying something like 'girl went missing on the 12th of december' etc. The someone will be driving in the car following a girl while the voice is talking over the top, then flashes of missing girl posters will pop up.
This is our first idea, but we still need to expand on this. But at least we have an idea of what to do now...

Thursday, 6 November 2008

INITIAL IDEAS

Jack thought about doing something about people dying and they are all linked by tattoos and he thought that the title of it could be 'The Art of a Murder'. In the sequence people are getting killed and police are trying to suss it out but they cant see that they are all linked by tattoos or scars.
Another idea was to do something about cults, to research ancient religions, and find out what they worshipped, and maybe what items they used that gave clues to a place.

Monday, 3 November 2008

Amber's Analysis

  Goodfellas

 

 

For our main task we have to film the beginning of a non-fiction film. So to get ideas on this we watched a few beginning scenes from different films, and one of them was Goodfellas starring Robert De Niro, Joe Pesci and Ray Liotta.

The film starts with the production company logo, which in this case was 'Warner Bros', then the actor’s names who star in the film come up on the screen on a black background with white writing which makes them stand out. The names zoom across the screen with the non-diagetic sound of a car to make it effective. It then says in white on the black background ' This film is based on a true story' which makes the film more scarier to people watching it. The opening scene is of a car driving down a empty road in the middle of no where, and there are 3 men in the car all wearing suits which shows that they must be gangsters, there is a pull focus of the man sitting in the front of the car in the passengers seat which shows that he must be the main character. A tracking shot is then done on the moving car while it slows down, the 3 gangsters then get out the car, the red light from the car headlights is shining on them which immediately suggest blood and murder, then the camera slowly zooms in to the boot of the car. One of the gangsters then opens the boot and stabs and shoots the man inside. Then the camera focuses on Ray Liotta as a voice narrative says, ' As far back as i can remember I wanted to be a gangster’ and this introduces the character and shows that he didn’t accidentally slip into being a gangster, and that he had always wanted to be one from a very young age. The scene then flicks back in time to when Ray Liotta's character was younger. There is a narration by Ray Liotta over the action to explain about his life. In the background there is music that makes the scene more cheerful and happy. The film title comes up, once again on the black background but this time the writing is in red, which suggest blood, murder and violence. He then goes on to explain how the though of being a gangster when he was younger was better then being president of the united states which shows how much he wants to be one when he is older. On the bottom of the screen in white writing 'East New York, Brooklyn 1955' appears so people watching know when and where it was all set. The narrative over voice then goes on to explain how he had a part time job parking cabs for the gangsters and how he knew from then how he wanted to be one. Then the narrative voice stops as Ray Liotta’s childhood character’s father confronts him about not going to school and beats him up with a belt as the narrative voice says ‘Every once in a while you have to take a beating’ and this shows his state of mind and how much he wants to be a gangster.